The Rise Of Silas Lapham-..
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William Dean Howells's "The Rise of Silas Lapham" is one of the earliest American novels about a businessman, and that qualification alone makes it a literary curiosity, but what is most remarkable about it is what its title character is not, rather than what he is. Silas Lapham is not a ruthless, villainously greedy tycoon who bullies his employees and relishes destroying the careers of his competitors and enemies, but a conscientious, likeable man to whom misfortune happens because of his gullibility and sense of guilt rather than hubris. Lapham is a human emblem of the new American industrial economy of the 1870s. A self-made millionaire in the paint business, he is now one of the richest men in Boston and is radiantly proud of the fact that he has earned every dollar. Having grown up poor and undereducated in Vermont, he still speaks in a rustic vernacular and has yet to understand the rationale behind the rules of high society, let alone assimilate them. A simple, practical man with a sense of duty, he even put aside his business to serve in the Civil War, in which he was seriously wounded and achieved the rank of colonel. He can be boastful and garrulous, but he is not arrogant or overbearing. These days Howells is usually overlooked in favor of the more overtly urbane Henry James or the grittier Stephen Crane or Theodore Dreiser. That's a shame, since Howells at his best is a more varied and thought-provoking author than any of them. The Rise of Silas Lapham is Howells at his best. The title is quite ironic, of course, but ultimately spot-on, as Howells' nouveau-riche bumpkin is redeemed only in losing it all. Lapham is keenly drawn, alternately frustrating in his bluster and affected pompousness and endearing in his genuine (if sometimes poorly expressed) love for his family. Other characters are not so fortunate; one of his daughters remains mostly a cipher, and both Mrs. Lapham and Bromfield Corey, the rich scion of society whose favor Lapham so earnestly covets, are dangerously close to stock characters. Howells excels at elaborate descriptive prose focused on intricate detail, sometimes to the point of exhaustion. Some elements of the plot may seem quaint to modern readers, but Howells does not treat them with condescension. The Rise of Silas Lapham is definitely a book of its time. Perhaps it is so rewarding because his time and ours are not necessarily so different as we think.
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